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Type of art Medium Technique Object type Style Theme Surface Color

Painting 84

2-d 65

Ceramic 37

Printmaking 36

Illustration 32

Drawing 27

3-d 24

Photography 22

Mixed media 21

Collage/assemblage 19

Acrylic 47

Ink 47

Porcelain 25

Film 19

Gouache 17

Oil 15

Spray paint 12

Ceramic 10

Paint 9

Pen and ink 8

Action painting 23

Gesture 22

Monotype 20

Painting 20

Graffiti 16

Slip-cast 16

Oxidation fired 15

Etching 13

Wheel thrown 13

Screenprinting 8

2-d 121

For the wall 41

3-d 32

Functional 18

For the table 16

Sculpture 14

Painting 7

Plate 4

Serving dish 4

Cup 3

Abstract 73

Modern 52

Surreal 35

Expressionist 32

Folk 28

Pop art 23

Surrealism 22

Urban 22

Primitive 20

Avant garde 14

People 42

Figure 36

Pop culture 28

History 27

Humor 24

Environment 23

Surreal 23

Urban 23

Function 21

Landscape 21

Paper 82

Glaze 24

Canvas 22

Wood panel 20

Bare clay 11

Semi-gloss 11

Semi-matte 7

Glass 4

Luster 4

Decal 3

Multicolored 54

Blue 52

Black and white 51

White 51

Red 32

Black 31

Grey 31

Yellow 31

Green 28

Brown 27


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This composition of form points to the strength of silhouette in form. The shapes themselves are flattened into multiple planes, The iron decal transfers that overlay the grouping are outlines of the forms themselves. They are made using modular molds and slipcasting. Multipart composition.

Kala Stein

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$650.00

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Item Specs

Size 20.0in x 10.0in x 6.5in (WxHxD)
Type of art Ceramic
Medium Porcelain
Technique Slip-cast
Oxidation Fired
Object type 3-D
For the Table
Sculpture
Style Abstract
Constructivism
Modern
Theme Function
Surface Glaze
Color
 
Black
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$650.00


Kala Stein

My interest in archetypal form stems from the notion that objects are extensions of identities and histories. The everyday or special experience can be reflected through the image and function of objects. Objects we covet, disposable objects, and objects that we negotiate daily or ritually are all viable. I reference iconic forms in attempt to suggest contemporary life or to evoke a quality of nostalgia.

Processes of making largely inform my work; slip casting is my primary method of production. I make my mold parts from wet clay, real and imperfect with traces of the hand and tool. My multi-part molds are interchangeable and rebuilt each time I cast, resulting in one-off pieces. With these fragile, variable molds I am challenging the values of mold-made pieces, authenticity, and reverence for purity.

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seller location:    Springwater, NY